The Separation of The Islands of Bali and Java a Local Legend

There is an ancient belief that long time ago the islands of Bali and Java were one single land mass. one story of the travel of the Hindu holy priest named Rsi Markandya from East Java to Bali does not describe a see crossing, and this a mission strengthened that belief. In the holy text of Negara Kerta Gama written by Prapanca in the 1300′s, there is also one sentence which reads, ” The Sea Accounts for the Earth. ” This sentence, it turns out, when  read in the ancient script is encoded in Chandra-Sangkala, an ancient Javanese system of numerology. It describes an event which happened in the year 124 of the Saka calender. This sentence has the same meaning as another one, segara Rupek (The Sea Splits) from the holy book Wewatekan which describes the separation of Bali Island from Java Island in the same year Saka 124(or 202 A.D) the separation is detailed in following folk legend.

As the story goes, there was once high priest by name of Mpu Sidhi Mantra. The priest lived in East Java and was very close friends with a giant snake like dragon named Naga Basuki. This dragon lived in a large cave in Besakih at the foot of Mount Agung. The friendship of Mpu Sidhi Mantra and Naga Basuki was so close and that every full moon, Mpu Sidhi Mantra would go to Besakih and bring food for the dragon. The food he brought each full moon consisted of honey, milk, and butter. one day, Mpu Sidhi Mantra was afflicted with a terrible illness and as the full moon was approaching he instructed his son Ida manik Angkeran to take the food to the dragon.

Just before he left, Ida Manik Angkeran secretly took his father’s genta (a holy bell of the priest). Once he reached Besakih Ida Manik angkeran sat in a meditative pose in front of the cave and began to ring his father’s bell. Hearing the sound of the bell, the dragon Naga basuki emerged from his cave. seeing the powerful Naga Basuki, Ida manik Angkeran knelt before him. He explained that he had come to offer food to the dragon. With a warm heart Naga  Basuki accepted the package of food and ask Ida Manik angkeran what he would like to take with him for his trip back to Java. Ida Manik angkeran answered politely that he didn’t desire anything and suggested the dragon return to his cave.

Naga Basuki went back inside his cave, but part of his long tail struck out the entrance. Ida manik Nagkeran was astonished to have met the dragon. however, once he saw a large gemstone at the and of the dragon tail, he began to have evil thoughts. Driven by desires, he slice off the end of the dragon’s tail. He took the gemstone and fled planning to us eit as capital to allow him to gamble for the rest of his life. Just before he reached a forest of cemara trees, Ida Manik Angkearan was Burned alive by Naga basuki. That was where Ida Manik angkeran met his doom. That place is now known as Cemara Geseng Forest. (Geseng means to burned up). his death was caused by the power of the dragon who only had to lick the footprint of the fleeing Ida Manik angkeran as he ran away with the precious gemstone.

Mpu sdhi Mantra Heart’s was worried when his son did not return. He noticed that his genta was missing and was sure that his son had met an unfortunate fate duirng his travels. quickly he set out to find his friend the dragon at Besakih and told the story of his son who had not returned. hearing the tale of Mpu Sidhi Mantra, the dragon Naga Basuki told him the tragic events of the evil committed by Ida Manik angkeran unil he met his fate in the Cemara Geseng forest. Mpu Sidhi Mantra was ashamed to hear of the character of his son’s terrible decision to his fondness of gambling. however, Mpu Sidhi mantra asked forgiveness of the sins of his son and asked the great dragon to bring his son back to life. If this wish was granted , he said, the priest would give leave his son to serve the holy dragon in Besakih forever.

Mpu Sidhi Mantra’s wish was granted and Naga Basuki accepted and brought Ida Manik Angkeran Back to life. that’s why since that day, Ida Manik angkeran has remained  in Bali as a servant of the temple (a priest of pemangku) of Besakih from generation to generation even until today. To prevent Ida Manik Angkeran from ever returning to Java, Mpu sidhi Mantra use his cane to carve a line in the earth at a narrow point on his travel from Bali back to Java. That line soon became a river and eventually a sea and was given the name Segara Rupek.

Today we know that area as Bali Strait which divided Bali and Java. Even though this story from one of Bali’s holy books is understood to be a myth or legend, there is still a descendant of Ida Manik Angkeran living and working today as a priest at Besakih Mother Temple named I Gusti Ngurah Sideman.

Aside from ancient texts such as the Usan Bali, Negara Kertha Gama, and Wewatekan which describe the events above, Western historians have recently concluded that Bali was originally separated from java by a volcanic explosion that occurred between  what are now two islands. this theory is supported by the presence of hot springs along the length of the Bali Strait known as Banyu wedang. Banyu mean water, and Wedang mean hot. these springs are signs of underground volcanic activity.

There are also those, however, who believe the Bali Strait was created at the same time as the Sunda Strait and the Java Sea when glacier from the north and south pole began to melt. this explanation is perhaps the most plausible, although any combination of the above possibilities may in fact be the right one.

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Tooth Filing Ceremony ( Mepandes )

For a Balinese, the tooth filing ceremony known as Mepandes is a rite on the pathway to full adulthood. It is one of the many ceremonies a Balinese boy or girl must complete prior to marriage and is one of the more visible ceremonies that can be witnessed by visitor to Bali.

The ceremony is complete with offerings and prayers to cleanse the person. The main porpose of a mepandes is to rid a person of the ‘Sad Ripu’ is symbolized by filing six upper teeth (4 incisors plus 2 canes). The Sad ripu targeted in the ceremony are in fact 6 human traits which are believe to be negative and often thing that a person will strungle to contain within themselves. These 6 negative traits are thought to be caused by 2 human characters called Budi Baja and Budi Tamas in Balinese.

IN Balinese culture, human being have 3 characters-budi raja, budi tamas, budi satwam – while animal have only two, the budi raja and Budi tamas. These two characteristics, they say, are the root cause of all negative traits and are believed to be “animalistic” and not suitable to control human beings

This is not to say that human beings do not need or use their Budi raja and Budi tamas characteristic. The Balinese simply believe that all three characters of a human need to be in balance and the tooth filing is a way to achieve that goal. The six negative traits known as sad ripu are:

1. Greed (loba)

2. Cheating or insobriety (Mada)

3. Confusion (Moha)

4. Anger (Kroda)

5. Lust (Kama)

6. Jealousy (Matsarya)

This sacred purification ceremony, therefore, is not meant to enhance the physical beauty of a person. Rather this noble ceremony is supposed to make someone a more complete and spiritually healthy human being as they pass from adolescence into adulthood.

If possible the actual filing and ceremony is done by a Brahmin caste member. Most tooth filing ceremony begin between 4 and 6 in the morning prior to sunrise although receptions will continue into the day. The size of the ceremony varies according to the caste of the persons as well as the budget available to spend. Generally several people are done at the same time in a large ceremony, although it is believed that an odd number may bring bad luck. It is common therefore to see ceremonies for 2, 4, or 6 persons at the same time starting with the eldest child first. After the ceremony is finished, the child is officially an adult under Balinese custom.

In addition to offerings, the following items and tools are used in a traditional tooth filing.

·         * A gazebo (dipan) complete with mattress, sheets, pillow, and carpet with the picture of Semara Ratih ( Goddess of Love)

·        *  A Bale Gading or small building made from bamboo which is decorated wuth yellow and white flowers and filled with offerings such as fruits, rice, coins, and flowers.

·        *  A tegteg or woven kind material filled with sweets.

·         * A coconut which has been emptied of water and carved with arda nareswari’ (a picture of Semara Ratih). This coconut is use to spit into and to hold files which have already been used. After the ceremony, it is buried.

·         * Three pieces of a dapdap (local tree) branch and three pieces of sugar cane (tebu malem or tebu ratu) about 1 to 1.5 cm in length.

·         * A ring with red stone.

·         * Peeled turmeric and lime.

·         * A metal bowl filled with: files, mirror, and mallet.

·         * Traditional betel nut, tobacco, areca nut, and gambir plant.

·        *  Several pieces of cloth to wrap around the body during the ceremony know as rurubi.

·        *  A final offering to step on at the end of the ceremony symbolizing completion.

/pIf possible the actual filing and ceremony is done by a

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“Nyepi” Bali’s Day of Silence

Every religion or culture all over the world has their own way to define and celebrate their new year. For example, the Chinese have the Imlek year and to celebrate it, have, as they called it in their own language, “Gong Xi Fat Choy“. The Muslim societies have their Muharram year, and any of the people over the world using the Gregorian calendar, celebrate the New Year on January 1st.

The same thing also occurs in Bali, however the Balinese use many different calendar systems. They have adopted the Gregorian calendar for business and government purposes. But for the endless procession of holy days, temple anniversaries, celebrations, sacred dances, building houses, wedding ceremonies, death and cremation processes and other activities that define Balinese life, they have two calendar systems. The first is the Pawukon (from the word Wuku which means week) and Sasih (which is means month). Wuku consists of 30 items starting from Sinta, the first Wuku and end up with the Watugunung the last one. The Pawukon, a 210-day ritual calendar brought over from Java in the 14th century, is a complex cycle of numerological conjunctions that provides the basic schedule for ritual activities on Bali. Sasih, a parallel system of Indian origin, is a twelve month lunar calendar that starts with the vernal equinox and is equally important in determining when to pay respect to the Gods.

Westerners open the New Year in revelry, however, in contrast, the Balinese open their New Year in silence. This is called ”Nyepi Day”, the word come from Sepi mean silence, so Nyepi is the Balinese day of Silence, which falls on the day following the dark moon of the spring equinox, and opens a new year of the Saka Hindu era which began in 78 A.D. Nyepi is a day to make and keep the balance of nature and let the nature relax. It is based on the story of when King Kaniska I of India was chosen in 78 A.D. The King was famous for his wisdom and tolerance for the Hinduism and Buddhism societies. In that age, Aji Saka did Dharma Yatra (the missionary tour to promote and spread Hinduism) to Indonesia and introduce the Saka year. The lead up to Nyepi day is as follows: Melasti or Mekiyis or Melis (three days before Nyepi) Melasti is meant to clean the Pratima or Arca or Pralingga (Miniature statue symbol of the Divine body), with symbols that help to concentrate the mind in order to become closer to God. The ceremony is aimed to clean all nature and its content, and also to take the Amerta (the source for eternal life) from the ocean or other water resources (sea, lake, river, spring etc). Three days before Nyepi, all the effigies of the Gods from all the village temples are taken to the river in long and colorful ceremonies. There, they have are bathed by the Neptune of the Balinese Lord, the God Baruna, before being taken back home to their shrines.

Tawur Kesanga (the day before Nyepi) Exactly one day before Nyepi, all villages in Bali hold a large exorcism ceremony at the main village cross road, the meeting place of demons. They usually make Ogoh-ogoh (the fantastic monsters or evil spirits or the Butha Kala made of bamboo, paper, cork and other material) for carnival purposes. The Ogoh-ogoh monsters symbolize the evil spirits surrounding our environment which have to be got rid of from our lives . The carnivals themselves are held all over Bali following sunset. Bleganjur, a Balinese Gamelan music accompanies the procession. Some are giants taken from classical Balinese lore. All have fangs, bulging eyes and scary hair and are illuminated by torches.The procession is usually organized by the Sekehe Teruna, the youth organization of Banjar or village. When Ogoh-ogoh is being played by the Sekehe Teruna, everyone enjoys the carnival. In order to make a harmonic relation between human being and God, human and human, and human and their environments, Tawur Kesanga is performed in every level of society, from the people’s house. In the evening, the Hindus celebrating Ngerupuk, start making noises and light burning torches and set fire to the Ogoh-ogoh in order to get the Bhuta Kala, evil spirits, out of our lives.


“Nyepi” On Nyepi day itself, every Hinduism implement the Catur Brata Penyepian.  Four thing that is not allowed to do : Amati Geni (no fire or light), Amati Karya (no work or activities), Amati Lelungan (no eat or party) and Amati Lelanguan ( not allowed to go out of home) every street is quiet – there are nobody doing their normal daily activities. There is usually Pecalangs (traditional Balinese security guard) who controls and checks for street security. Pecalang wear a black uniform and a Udeng or Destar (a Balinese traditional “hat” that is usually used in ceremony). The Pecalangs main task is not only to control the security of the street but also to stop any activities that disturb Nyepi. No traffic is allowed, not only cars but also people, who have to stay in their own houses. Light is kept to a minimum or not at all, the radio or TV is turned down and, of course, no one works. Even love making, this ultimate activity of all leisure times, is not supposed to take place, nor even attempted. The whole day is simply filled with the barking of a few dogs, the shrill of insect and is a simple long quiet day in the calendar of this otherwise hectic island. On Nyepi the world expected to be clean and everything starts anew, with Man showing his symbolic control over himself and the “force” of the World, hence the mandatory religious control.

Ngembak Geni (the day after Nyepi) Ngembak is the day when Catur Berata Penyepian is over and Hindus societies usually visit to forgive each other and doing the Dharma santhi. Dharma santhi are activities of reading Sloka, Kekidung, Kekawin, etc.(ancient scripts containing songs and lyrics how to be a good person and life in harmony). From the religious and philosophy point of view, Nyepi is meant to be a day of self introspection to decide on values, eg humanity, love, patience, kindness, etc., that should kept forever. Balinese Hindus have many kind of celebrations (some sacred days) but Nyepi is, perhaps the most important of the island’s religious days and the prohibitions are taken seriously, particularly in villages outside of Bali’s southern tourist belt. Hotels are exempt from Nyepi’s rigorous practices but streets outside will be closed to both pedestrians and vehicles (except for airport shuttles or emergency vehicles) and village wardens (Pecalang) will be posted to keep people off the beach. So wherever you happen to be staying on Nyepi Day in Bali, this will be a good day to spend indoors. Indeed Nyepi day has made Bali a unique island.

For this year Nyepi will be held on Friday 23rd of March, 2012.

 

My other website www.baliblisstour.com

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Tool Construction

HOLDS CEREMONIAL POWERS

A little knowledge of a Balinese community allows a greater understanding of this ‘’Island of the Gods‘’ of which you have visited. Ceremonies are daily part of Balinese life.

Everything done by the Balinese holds such religious meaning. The Gods are almighty structure, that gives meaning to their lifestyle. So let have a look at Balinese lifestyle.

The Balinese community consist of four group or caste locally known as ‘’catur wangsa’’. These group include, Brahmana, Kesatrya , Wesya and Sudra. Each groups holding their own status. It is only the lowest caste ‘’Sudra’’ which are subdivided in group namely Pande, Pasek, Pasek Bendesa ( village head under the king) at will look at the ‘’Pande’’ family exclusively.

This Pande family (of which belongs to the Sudra wangsa group ) is the Pande Besi. Otherwise known as people whom has skilled in making tools, like knives. The Pande Besi hold a unique skill, unlike the Pande Mas (goldsmith) or Pande Perak (silversmiths), whom learn their skill of trade. The Pande Besi part time only as they are basically farmer.

Using iron tools the ‘’madenan’’ profession more or less inherit their trade. It is a skill that can’ t be taught, its quality depends on perseverance and mastery. Extremely different to those Goldsmith who work full time and learn their trade for many years. This ‘’madenan’’ profession may be studied, but according to the religious beliefs if you not a “Pande Besi” you will never succeed in this area. I must honesty confess that this is probably only due to the fact that only the Pande Besi family can stand this strong head made during the constructing . Room temperature dramatically increase from 26 degree to an unbearable 40 degree heat.

The madenan work is done in the ‘’Prapen’’ very similar to a kitchen area, only gourmet meals are not produced, scorching iron is. They produced farming tool such as “cangkul” hoes, “sabit” sickles, “penggigi” a tool for ploughing and “penampad” a tool to repair trenches. Home hold articles are also constructed. Such as knives, “golok” or “blakas”, chopping knives, “timpas”,  matches “kandik”, “pengutik” and more.  All instrument used in the Balinese kitchen.

Products don’t differ greatly to tolls produced in factories. Manufacturing in simple. Traditional tolls are used. Popularly used are two pieces of “paron” –which is a toll used to from knives. Made of iron, one holds a cylindrical appearance. Paron moulds material to its required form. Hammers beat the iron on the paron. Hammers vary in weight and size. Heaviest  being 2.5 to 3 kg and the lightest being 0.5 kg. “sepit” –or tong grip the iron. They only toll brought is the file.

The process begins like this. First the iron is heated in the forgery until it is almost at melting level. The bamboo charcoal is done by a pressure pump which is used for pumping tires – known as “pengubuhan”. The tool is made of wood. Pressure is produced by placing the hand in and out of the tube. This air is blown into the forgery. A sickle only takes 45 minutes to produce. Made of mold iron. Time depends on the article produced.

This professional holds a relatively high social status. The Pande Besi is the producer and the community is their consumer. Prices and labor costs are not mentioned. An example is a farmer wanting his hoe fixed. After fixed the farmer-offers any sum of money he has. This payment is received with no hesitation. If payment is not made, nobody would care. This shows such strong community help.

The Pande Besi believes his tools hold magic powers. He therefore holds a ceremony every 210 days on the “Tumpek Landep” which falls on Saturday. The ceremony is conducted on the “prapen” with a Banten (offering) called dapetan. Dedicated to the God “Bethara Guru” the ruler of all sharp tapering objects which express their grateful for all of blessings.

 My other website www.baliblisstour.com

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Batik

Beauty Woven into Symbolic Pattern

Batik has been the identic clothing of Indonesia since prehistory and now is on the International export of today.

The 1994 (Asia Facific Economic Cooperation) meeting in Jakarta, suggested to ”Go Global’’ with Batik During the meeting, 18 world leaders posed for the camera wearing Batik shirt at the presidential Palace in Bogor.

All the shirt were designed by Indonesian’s foremost designer, Iwan Tirta (short for, Nusjirwan Tirta Atmidja) using the finest silk with different motifs. U.S. President Bill Clinton wore the ‘’Elang Prakoso” or eagle print, similar to the American Emblem.  Jiang Zemin, the Chinese President, had on the “Naga senggigi” motif, while Taiwan President had on the “Naga Bintang” motif.

How is Batik made? Batik is done in two different styles which are stamp Batik and hand drawn batik. The shirt worn by APEC members, were hand drawn or otherwise known as, “Batik Tulis”. The batik stamp has increased in popularity because it is very inexpensive and can be mass produced. Usually the hand drawn batik is used on silk but can also be made on wool. The material is drawn on with “Malam”, a dark brown wax, although Iwan tirta uses another wax called ”Prada”, which has a gold-silver appearance. This technique is considered new but has been used in Java since the 9th century. Because Batik Tulis is hand drawn, it can be slow, tedious process. One piece of cloth 1 by 2 meter, can be take 2 to 4 weeks depending on the pattern.

The reason batik has been able to withstand today competition with other textile, is because of its original designs which reflects the philosophy of life. It also demonstrates an “Esthetic Manifestation” in its unique patters.

There are hundreds upon thousands of batik designs, starting with traditional styles. According to the Sono Budoyo Meseum in Yogyakarta, motif such as the Tumpul, Grinsing, galaran, Parang Pasak, and Lawung are ancient, but up till today are still popular. The center for hand drawn batik are Pekalongan, Solo, Ponorogo and Banyumas.

In Yogyakarta the main areas for batik are Ngasem, Prawirotaman, Tirtodipuran and Sosro Wijayan. In these areas batik production is done through a family business. In Ngasem (located behind the Yogyakarta’s royal palace) you can see this batik process from start to finish, or you may even learn how to do it your Self.  

Yogyakarta has over 50 different places to buy batik and is also the center for contemporary batik development, with designer Ardiyanto Pranata as its leader. Visit his Gallery in the center of Yogyakarta which had been visited by the U.S. President’s wife, Hillary Clinton during the recent APEC meeting.

In Bali the only one area that people make batik is in Tohpati village just 10 minute from Denpasar. There many batik galleries you can find here such as “Bidadari Batik” gallery, “Sari Amerta” gallery, “galuh Bali” gallery and “Legong Batik” gallery.

My other Website www.baliblisstour.com

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Balinese Life

In Balinese paintings, trees become the secret abodes of fantastic birds and monkeys, the nights-an invitation for mischievous spirits, and the temple ceremony-a panorama of offerings; sales stands, stylish dress, mystical figures of the theater, fighting cocks, lovers; rendezvous and family worship. The Balinese world is one of sharing. The joys of everyday life merger with social duties and religious obligations, in the same way that one’s personal fears are projected into the mysteries of the nature. The art reflect an unconscious integration of environment, religion and community in which every individual is a part.

This feeling of continuity is the cornerstone of the local society. Every form of work or creativity is given group expression. The organization of villages, the cultivation of farmland, and even the creative arts are a communal effort. Within his village, a man belongs to his family, his clan, his caste, his community, and the total of Balinese people who share in his heritage and surroundings. Religion is an essential as his livelihood. Every new occasion, whether it be the first birthday of a child or the completion of a house, receives in the priest’s blessing. Every personal calamity is treated as a shared problem among family, friends and divine guardians. Only in rare moments throughout his life would a Balinese feel oppressive solitude. Nor is dead separation, but a journey of soul to resting place in devoid of all the trouble and illness,” until it reborn on earth, possibly in the person of great-grandchild.

The Children

Children are privileged Balinese, for the smaller the child the closer his soul is to heaven, and most pure is his spirit. It all began in the tales of legendary times. A child born in Bali awakens to wondrous world of expectation. His father has long centered his hope on having children, preferably a male child who will care for him in his old age and, after his death, perform the necessary rites to liberate his soul for reincarnation. A new born baby is believed to have just emerged into this life, from a spiritual realm, and is respected as holy. As an infant he is not permitted to touch the impure earth and is carried everywhere, often riding only a foot off the ground on the hip of an older sister. When he is three months old, the family holds a special celebration for him. Offerings are made by priest and he is allowed to take his first steps.

As soon as he can walk, the child is set free to wander all over the village with other children his age, sometimes going on excursions that last all day. In this society of his own, he grows to be self-reliant at very early age. At home he is treated cordially, taken with his parents where ever they go, and coaxed into obedience as an equal. He is never beaten, for were one to strike a child, it may harm his tender spirit. This manner of raising children with independence and respect accounts for the exceptional maturity and sense of responsibility in Balinese children. In the most crowded village festival, it is seldom you hear a child cry or see him fighting among other children.

During the adolescence a child becomes formally initiated into the adult community. When a young girl of a high caste family reaches the age of puberty, a ceremony is held to announce her status as a mature woman. First she goes into strict seclusion and thoroughly cleanses her body. After three days she emerges in gold brocades and a crown of flowers to receive a purification blessing from the priest. Frequently, a tooth filing ceremony follows, also a custom of initiation for both boys and girls. By having a specialist, usually a priest, file a small portion of upper teeth to form a straight line, one diminishes the six evil qualities of human nature: laziness, indifferences, irresoluteness, love of worldly goods, sensual pleasure, and love of luxury and splendor. With all this accounted for, straight teeth make for prettier smile, too. The ferocious snarls, where long canines swerve from mouths like those of a wild boar, are reserved for ghastly grimaces of witches and demons.

Marriage 

Marriage is the final initiation into the community; only can a settled married man become a member of the village association. The Balinese marry at an early age. The average age for the girl is eighteen to twenty, and for a boy between twenty and twenty-five. A young Balinese feels it is his most important duty to marry and to raise a family to perpetuate his family line. To go unmarried is abnormal. It is said that if a male adult dies a bachelor, in the next life he will feed sows, a woman’s chore: and if a woman does not bear any children, she will be suckled by giant caterpillar.

As with everything in Bali, marriage customs vary from village to village and caste to caste. The two most popular forms of marriage are the mapadik-marriage by request, and ngererod-marriage by elopement. Mapadik is the respectable manner of courtship. The couple is introduced by mutual consent of their families and if they like one another, they decide to marry. Ngererod Is more exciting and clandestine, for here the honeymoon precedes the wedding, and the man is considered to be more heroic, like the romantic Lover Prince Arjun, hero of Mahabharata epic.

The couple secretly decides to run away, usually to a friend’s house a good distance from the girl’s village. On the appointed day, the girl is suddenly carried off by her suitor. (Nowadays, it’s fashionable to kidnap one’s wife in the car.) Discovering the mishap, the girl’s family pretends to be very worried. The enraged father is supposed to search the surroundings, asking everyone in the household who took his daughter. Of course, even a close friend who may have helped the daughter pack her clothe, innocently denies any knowledge of the affair. Sometimes even a search party is organized, but the shock reaction is all fun. Generally the family is well acquainted with the suitor and understands that if the daughter took some clothe, she left by her own choice.

Most Balinese agree the advantage of Ngererod is that it is economical. In the formal courtship which precedes a Mapadik marriage, the suitor must visit the girl’s home several times-small gifts and bus fares do mount up. On the first night of elopement, a small religious ceremony is held to make the marriage official by customary law. Offerings are presented to Ibu Pertiwi, goddess of earth, who bears witness to the union. Later the entire village is invited to a formal wedding ceremony when the couple is blessed by the priest, and their union is announced through offerings and prayer to their ancestors and deities of the house temple. It is then the woman formally joins the man’s family and becomes a member of his caste.

Divorce is not difficult in Bali. A man merely reports to village’s authorities that his marriage is finished; or, if it is a woman, she simply returns to her home and the children are cared for by man’s family. However divorce does not occur often. If the situation arises, it is more likely that a man takes a second wife, and the first remains as head of the house hold.

My other website www.baliblisstour.com

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Gold and silver Smiths at Work in Celuk Village

For years the Celuk Village has been knows as the center of gold and silver handicraft. The village center for gold and silver smithing. The large number of silver-smiths in this village evolved from the ‘’soroh Pande Perak’’, clan, who pioneered silver smithing and have past their talents on to all. Silver handicrafts are not only found in Celuk village, but may also be found in nearby villages of Sukawati, Guwang, Singapadu and Batubulan.

With their increasing demand for silver handicrafts and it’s popularity in exporting-the Celuk Village could not fill this strong demand. That is why the surrounding villages now work as silver smith. This created many jobs for the villages and greatened their opportunity. This growth has further developed and improved the quality of silver being produced. Modern new designs now replace those monotonous motifs of the past.

Extremely productive, the silversmiths produce costume jewelry such as bracelets, necklaces, rings and earrings. Each worker with his own style and taste In Banjar Gelumpang, Sukawati Village, Gianyar (15 kilometer from Denpasar), the silversmith specialize in making earrings with a frog design. A popular design, they comprise of three frogs made into 3 sizes. Arranged from smallest to largest, the total length of the earrings is 8 to 10 cm. great for tall women, they also provide a look of prestige and sophistication. Other specialize in rings using the Balinese carvings. Bracelets popularly use the snake design which is look so fabulous and slender around one wrist. Brooches include fish and bird design. Good for souvenirs or presents. So indulge in some silver work. Item are available at jeweler’s in Bali and also at Sukawati Art Market, 14 km from Denpasar.

My other website www.baliblisstour.com 

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A Brief History about Indonesia and Bali

The famous fossil remain of the ‘’Java Men’’ show that the species Homo Erectus, a predecessor of modern human race, lived in Java between two million and 500,000 years ago. Much later, around 10,000 B.C., the evidence points to the presence of a Neolithic culture in Bali and Java. But today’s Indonesians mainly descent from migrants who came from south China via the Malay peninsula and moved along the island chain to Bali, Lombok, and beyond, from 3000 to 1000 B.C. Archaeological finds show that there was a flourishing Bronze drum, dating back to around 300 B.C., found in Bali resembles those made in what is today northern Vietnam but whether it’s an import or local copy is not known. Trade and culture exchanges with southeast Asia had certainly begun by then, and there were frequent contacts with India by A.D. 100. About this time, too, wet rice cultivation was introduced to Bali, changing the face of the countryside to that of its present appearance of rice paddy fields and terraces.

Indian traders and teachers brought Buddhism to Java, it had only a limited influence in Bali, however, Where people continued in their ancient animist beliefs, worshiping the spirits of the mountains, rivers, and other natural forces.

Hinduism Come to Bali
In the 8th and 9th centuries A.D., several Buddhist rulers in Java converted to Hinduism, along with their subjects. This time, many people in Bali followed suit, perhaps attracted by the complex Hindu mythology—the Balinese today still have a love of the old stories—and by the way, their local Gods could easily be housed in the crowded Hindu pantheon. Around 930, the kingdom of East Java conquered Bali and the conversion process accelerated. A mild form of the caste system and the concept of the Hindu Trinity of Brahma, Vishnu and Shiva were introduced. But Bali was mo mere vassal state of Java. From 1019 to 1042, Airlangga, son of the Balinese king Udayana and a Javanese princess, ruled over East Java, while his young brother acted as regent in Bali. During the 12th and 13th centuries, Bali was often independent.

A powerful Hindu empire named after its capital, Majapahit, united all of Java by 1320. The Majapahit General Patih Gajah Mada reconquered Bali in 1343, and added a large part of the Indonesian archipelago besides. Hindu art and scholarship spread through the island, but in the most of them their flowering was to be rather short-lived. With the death in 1389 of King Hayam Wuruk, its last great ruler, the empire of Majapahit began to decline.
Muslim traders and teachers had already started converting several of Java’s princes and people to Islam, especially in coastal areas, and in the 14th and 15th centuries to the movement gathered face and spread to the interior. By around the year 1500, seeing their world breaking up, many Majapahit aristocrats, Priests and scholars fled to Bali, where their culture continued to flourish. Islam never gained a strong food hold in Bali,, which had few products to attract traders and because of its many reef and lack of harbors, was difficult to invade. The early 16th century also brought the first European ships to Indonesian waters, when the Portuguese came in search of spices and set up trading posts—though not on Bali.

In 1550 Bali was united under Batu Renggong, the formidable ruler known as Dewa Agung (God-King) of Gelgel, near Klungkung. His men even succeeded in turning back the tide of Islam for a short while, adding Eastern Java and Lombok to his domains. During his rule, Balinese power, culture and influence reached a peak, with a boom in temple building and the associated crafts of sculpture and woodcarving.

The future colonial power, the Dutch, appeared briefly on the scene in 1597 when battered remnant of an expedition under the Cornelis De Houtman anchored off the coast of Bali.

When he decided to sail away and return to the Netherlands, three of his men stayed behind the serve the Dewa Agung. Almost 250 years passed before the Dutch tried to exert any real control here, in sharp contrast to Java, which they ruthlessly exploited. Left to their own devices, Bali’s rules fell to squabbling among themselves and the island split into ten or more rajadoms. A 17th century Dewa Agung moved the royal capital from Gelgel to nearby Klungkung, but the balance of power shifted from one rajadom to another, notably Buleleng in the north and then Karangasem in the east (which also seized most of Lombok). Bali’s contact with the Dutch was restricted to providing slaves—mainly Balinese who has broken the Raja’s laws or Priests’ taboos—and soldiers for the army of the United Dutch East Indies Company (vereenigde Oostindische Compagnie or VOC). The company was the instrument of influence of the Netherlands until it went bankrupt in 1799 and was superseded by the government.

Between 1811 and 1817, during the Napoleonic Wars, Britain took control of Indonesia and seriously thought of staying once the wars were over. Britain’s Administrator, Stamford Raffles, who was named Lieutenant Governor, even visited Bali, and may have had it in mind to build a trading station here. After the war, however, the British government decided to restored Dutch territory and interest—and Raffles found another site, the island and future port of Singapore.

The Dutch Take over

Once reestablished in Java, the Dutch tried to poster trade with Bali, aiming to increase their influence and also to prevent the Balinese from plundering ships wrecked off coast. They failed, and their frustration was perpetuated by the fact that a Danish trader called Mads Lange was enjoying great success in Bali. Following the looting of a ship in 1841, the Dutch negotiated a treaty with Bali’s rajas which they thought guaranteed an end to such practices. A when it became clear that the Balinese didn’t see it that way at all, the Dutch then decided for the first time to use force. Some 1,600 men recruited mainly in the Moluccas and other Indonesian islands, landed on the north coast in 1864 and burned Singaraja. The Balinese prepared for a battle, but before it could take place, mads lange persuaded the two side to sign a truce. The rajas agreed to stop the plundering of wreck, and to pay compensation for the 1841 incident, but it soon emerged that they had no intention of sticking to the deal, and In 1848 the Dutch landed their second military expedition in the north of Bali. Advancing inland to attack the Balinese base at Jagaraga, they were ambushed by a bigger but less well-armed force led by Jelantik, younger brother of the king of Buleleng. In spite of appalling losses, the Balinese won the day. The defeated Dutch invaders retreated in disorder to their ships.

Such a humiliation could not got go unavenged, and following year, a third Dutch military expedition, far stronger than its predecessor, landed near Singaraja. The northern rajadoms sued for peace, they were offered terms calling for them to disarm and submit to Dutch rule. The response of Jelantik was was to fall back to Jagaraga and prepare to fight. This time were Balinese overwhelmed and thousands were killed, some in suicidal march toward enemy guns, a ritual death in battle known as Puputan. After a second Dutch landing at Padang Bai, the Puputan ritual was repeated when the Raja of Karangasem and his family threw themselves on the enemy guns.

For the rest of the 19th century, the Dutch, using the rajas and other aristocrats as regent, took control over most of Bali, but their influence in the south remained limited. This was emphasized in 1904 when a ship wrecked off Sanur was plundered of its cargo. The Dutch demanded reparations for this act; the southern rajas refused. In 1906 a force of mainly Moluccan troops led by Dutch officers marched on Denpasar to enforce compliance. They found the place almost deserted, until suddenly the rajas of Badung, together with his family and hundreds of courtiers, emerged from the palace. On a signal from the rajas, one of his priests stabbed him with a Kris (a secret Balinese weapon), and then, pausing only to stab their children first, the rest of the royal party begun a Puputan, either killing themselves or running suicidally toward to enemy. When the dreadful scene was repeated by the Dewa Agung and his wives and followers in 1908 in front of the palace at Klungkung, the raja’s resistance to Dutch rule was at an end.

The public in the Netherlands were appalled by these grisly events. From then on, Bali and Balinese came to be to be looked on as unique, to be protected from the colonial treatment that had turned the other islands into plantations exploited for profit. Tourism was discouraged, although a few foreigners did make the journey and brought back with them news of the island’s extraordinary culture to the outside world. Some artists came in the 1920s and a few stayed, both influencing Balinese painting styles and being influenced by them.

In the way of colonial powers, the Nederland began to considerate processes that were to lead to its own demise. Many young Indonesians received a Dutch education, with the brightest students going to universities in the Netherlands. The Dutch language gave the vast polyglot archipelago a sense of unity, even among islands that had been bitter enemies for centuries. Between 1910 and 1930, Indonesian began to form a variety of radical political groups, namely nationalist, religious, socialist, and also communist. Strikes were organized and minor insurrections erupted. Then in 1927 a graduated engineer, Soekarno, along with others, formed a nationalist association which was to evolve into the Partai Nasional Indonesia (Indonesians nationalist Party) or PNI. Sukarno was imprisoned for four years in 1929 as a political agitator Flores and later on the island of Sumatra.

War and Independence

Early in 1942, soon after their attacks on Pearl Harbor and Singapore, the Javanese invaded and occupied Indonesia, with the intention of exploiting its oil and rice to work. It suited them to work with the Indonesian nationalists led by Mohammad Hatta and Soekarno, who hoped to extract concessions in return. Indonesians replaced the Dutch administrators, who had either fled or been interned.

In the dying days of the World War II, the Javanese promised to hand over power to Indonesia’s Nationalist leaders. In the event, it happened that decision was not theirs to make. Following the Japanese surrender on August 14th, 1945, Soekarno and Mohammad Hatta proclaimed Indonesia an independent republic on August 17th, with soekarno as its first president.

The years 1946 to 1949 saw the Dutch trying to reassert control. Recovering from years of Nazi occupation, they could not muster the huge force needed to take all the islands, but they were able to seize major cities and the eastern islands, and to launch so-called ‘’police action’’ against the nationalist-held areas, primarily in Java.

In Bali, a young colonel in the nationalist army, Ngurah Rai, organized a force to resist the return of the Dutch, but it was not strong enough to oppose their landing early in 1946. The nationalist retreated into the hills to conduct a guerrilla campaign, and in November 1946 they found themselves trapped close to a village called ‘Marga village’, north of Tabanan. Outnumbered and outgunned, Ngurah Rai and all 96 of his followers were killed in what is regarded as the last Puputan. Their sacrifice is commemorated by a monument and museum at the site, together with the stones bearing the names of each of those who died on the island of Bali during the struggle for independence.

Eventually, under pressure from U.N. and the Unite State, which use force-war aid as a lever, the Dutch were force to give up the attempt to rebuild their colonial empire. On August 17th 1950, five years to the day after independence was first declared, the fledgling Republic of Indonesia was recognized by the Netherlands.

The 1955 Afro-Asian conference in Bandung (a city in west of Java) heralded the arrival of the new nation, and its leader Soekarno was welcomed to the world stage. Together with India’s Nehru and Tito of Yugoslavia, he was credited with the foundation of the non-aligned movement.

Years of Confusion

A succession of short-lived coalition government wrestled with the problem posed by separatist movement on the various island groups, dislocation caused by the war its aftermath, a badly neglected infrastructure, and the colonial legacy of over-exploited plantations. Frustrated by Indonesia’s loss of direction, Soekarno declared a form of martial law in 1957. A so called ‘’guided democracy’’ and an appointed national council and non-party government took the place of the elected assembly and ineffectual coalitions.

The period between 1959 and 1965 was a surreal time of government by means of slogans and Orwellian acronyms. Soekarno attempted to control the competing nationalist, religious, and communist group; NASAKOM (nasional, agama, dan komunis) was the word he used to represent their supposed commons interests. As he wasn’t enough, procession paraded with placards emblazoned with MANIPOL (Soekarno’s political manifesto) and DEKON (his economic declaration) written on them, and there were others which condemned NEKOLIM (neo-colonialism and Imperialism). In the meantime, the Indonesian economy collapsed and hyper-inflation destroyed in currency.

The country’s limited foreign exchange reserves were squandered o prestigious projects, grand monuments, and stadia to host the Asian Games of 1962, seen as a showpiece for the nation. Travel Agent were given a tour, including a visit to Bali that coincided with an important ceremony in march 1963 at the so-called ‘’mother temple’’ Besakih, on the slope of the island’s highest mountain, Gunung Agung A long dormant volcano, it chose it particular moment to begin emitting smoke and firing rocks into the air, but the ceremony went ahead anyway, literally under a cloud. The official guests had scarcely left Bali when Gunung Agung exploded in what was the most violent eruption the island had seen in centuries. Lava flowed down its slopes, but despite the impressions conveyed by the stories still told now (and photographs seen in many books), it covered only a limited area. The chief instrument of destruction was the volcanic ash that showered down on the northern half of Bali, covering it with a layer typically 40 centimeters (15 inches) thick. Crops were wiped out; the rice terraces were devastated, and starvation threatened.

A more immediate disaster added to the islander’s woes. The ash had blocked rivers, and the dams it formed could not retain the water for long. When they broken, torrents of mud and rock tore down the valleys and through the villages and towns along the river banks, The official death toll 1,600 was certainly a wild under estimate. They had been black even over south of Bali, although the capital Denpasar received only sprinkling of ash.

Coup and Revenge

On 30 September 1965, a group of army conspirators based near Indonesia’s capital, Jakarta, kidnapped and killed six army generals. The circumstances have never been fully explained, although the murderers claimed they acted to prevent a possible coup against Soekarno. In the following days, General Soeharto, one of the most senior surviving commanders, moved speedily to isolate the conspirator and effectively seized power, the blame for the killings was pinned on the Communist Party, the PKI, who denied any involvement. A pogrom was then unleashed, first in Java and next in Bali, with widespread killings of Communists, in revenge and also to settle old scores. The Chinese minority, mainly shopkeeper, moneylender, and other small business people, were another target. In common with the other immigrant groups, they had been compelled by low to display the flag of their country of origin, even if a century had passed since their ancestors had left it. So every Chinese business was marked by the flags of China—Communist China—and associated in people’s minds with communism. The numbers killed will never be known: in Bali alone the total casualties may have exceeded 60,000.

Soekarno’s associated with the PKI and suspicion of his involvement in the coup cost him much of his popularity and authority. Only his honored role in the independence struggle saved him from trial. The army forced him to yield most of his powers to Soeharto, who in 1968 took over the presidency itself. Soekarno died two years later.

Growth and Modernization

In the decades following, the economy stabilized as growing oil revenues fuelled expansion. The Chinese community carefully rebuilt its commercial interests, this time much less visibly. Tourism to Bali was seen as a money-spinner: the 1970s saw a rapid increase in the numbers of foreign visitors. During the 1980s, the Authorities strategy was to develop more profitable business; and they designated Nusa Dua as a huge tourist enclave where only luxury hotels would be built. To bring the necessary volume if visitor traffic to fill all the new rooms, Denpasar Airport’s runway was extended out into the sea to handle big airlines.

The holiday market is hungry fir new places and the government is eager to create jobs and earn foreign currency. These are two factors that transform Bali, and they have slowly begun to take effect in next-door Lombok, too. You may be here to relax and enjoy a slower pace, but there’s no escaping the fact that Indonesia is an important part of the world’s fastest-growing economic region.

My other website www.baliblisstour.com

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Naming Names for Balinese Children

Since long time ago Balinese already knows family planning system. In the vast majority of families, first-born child is call Wayan from the word ’wayah’ means the eldest, second-born child call Made from the word ‘Madya’ meads middle, the third-born child call Nyoman from the word ‘Anom‘ means the youngest one. But most of families couldn’t done this programs, they even have more than three, so the fourth-born child is call Ketut from the word ‘Tut’ means following the three. At this point the list, short as it is, runs out and starts again from the beginning. Thus the fifth child is another Wayan which commonly known as Wayan Balik or Wayan back, the sixth another Made or Made Balik, and so on. So when you meet a Ketut, he or she could be the fourth or the eighth child in a family—or the twelfth, but that is a rarity these days. The differences to named for boy and girl are I and Ni, (I Wayan, I Made, I Nyoman, I ketut for Boys and Ni Wayan, Ni made, Ni Nyoman, Ni ketut for girls).

Among the Ksatria caste, descended from the old ruling families, first-born boys and girls can be given the names Gede or Putu (and other castes sometimes copy this fashion).

Traditionally there were no surnames, and even now very few people have them. To tell the difference between all there Wayans and Mades, They may have a last name, perhaps referring to the way they looked or behaved as children. Most of the parents give the last name for their children with very simple way, usually the name taken from what is happening around when their child born, for example if someone born when it’s earthquake happening, they named their child as ‘Wayan Gejer’ for first child born, gejer means vibrate. Than if the second child born when something drop around them, they will named their child as ‘Made Glebug,’ mean something drop , and so on.

 My other Website www.baliblisstour.com

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Bali and The Balinese

The Republic of Indonesia make up by thousands of island, dividing the Indian Ocean from the pacific, and South East Asia from Australia. Many of them are much bigger than Bali, but certainly do not come any more famous as Bali. Early visitor brought back tales of a magical culture and happy, beautiful people. Then war and revolution intervened and Bali became an unattainable dream. The next generation of travelers told of a beach – combing idyll, or how they lived with a Balinese family for just a few dollar a month. Numbers of visitors grew up, the government and local investors began asking the question: why give away what we can charge for? Then the hotel building boom that started in the 1970s has scarcely eased since, and now people come to Bali in millions a year. Budget accommodation is a cottage industry and prices can be incredibly low, almost reviving the ‘’US$ 25 a day’’ ambition of 1960s travelers. Others are prepared to spend up to a hundred times as much for seclusion in their own private villa with a view of the ocean or of a valley sculpted into rice terraces a thousand year ago. In between, you can find considerable luxury at a reasonable cost. At all levels, many hotel are built in the form of separate little houses, bungalows, or villas, sometimes found within the wall of a compound. They often imitate traditional Balinese architecture-weather a palace or a rice barn-while in the international resort architects realize their wildest fantasies, creating lush, exquisite water garden, walled villages, gilded pavilions-anything but high rises, which are not permitted to spoil the skyline. Tell someone you going to Bali and you will get mixed reaction. It depends on which image they have retained. An untouched paradise, a cultural time warp, a playground, or somewhere that is just a bit ‘passe.’ To Australian, Bali is the closest exotic getaway, near enough for a long weekend at a lower price than their own tropical north. Surf enthusiasts will know the names of all the tubes and the breaks before they arrive, and how to reach the best spot in Bali and the offshore islands. They will find that many of the young Balinese have overcome their traditional suspicion of the sea the home of Evil Spirits and become expert surfers themselves. From Japan too, Bali is an easy non-stop flight away and even luxury accommodation looks low priced when rates are converted to Yen. Japanese visitors are younger and more independent these days. At a time when many people are covering up and retreating from the sun, Japanese surfers are out there turning dark brown. In some countries, growing prosperity leads to decline in religious belief. This is not the case in Bali, though, where the majority of people adhere to their version of Hinduism, imported from Java many centuries ago. Villages devote vast sums to expanding and beautifying their temples, and even outside modern concrete shops in the worldliest Kuta streets you will see offerings to the gods: woven palm leavens filled whit sweet-scented blossoms, or perfect baskets of rice and other delicious morsels. The gods thus honored and bad spirits placate-the balance between good and evil must be preserved-Bali’s in-numerable dogs are free to rifle through the offerings of food. Apparently resigned to their place at the bottom of the pecking order, the poor, mangy creatures are unlikely to starve. Traditional life goes on behind the doors and walls, and comes out into the open at festival time. Anywhere else in the world, you might hear about the festival held in a certain village-naturally at some other time of year; but in Bali, every village has at least three temples, each one has a major festival once a year, and the year is 210 days long. On top life is marked by a ceremony, from sowing of a field a baby’s first temple visit at one year old, to tooth filings (a coming-of-age ritual).cremation scan be so expensive that at times they have to be delayed for years. Unless you never leave your hotel, you’ll be unlucky not to see a colorful celebration of some sort, especially if you take the trouble to ask around. Much of Bali’s unique culture is expressed in dance. Little children and Lissom teenagers as well grandmother are all transformed by classical poses and stylized movements into images of enchanting grace. Performances are staged for the visitors, but that’s because the visitors want to see them. Don’t fret too much that they are commercial and therefore less genuine-you will at least know when the shows are likely to start! (but be warned, the temple ceremonies are unpredictable: you might be invited for late afternoon and find nothing happening until after midnight) By all means take some of the tours. The sites they go to are well worth seeing, in spite of the plague of pushy hawkers and ranks of souvenir shops outside their entrances. You will have to get used to paying a host of fees and donations: temples and even whole villages have donation books where you write in your name and contributions. There is no need to match the sums apparently contributed by previous visitors. A lot of local people realize that the commercialism can be a deterrent “No hassle!” some sings promise), and a few temples regulate the hawkers and keep. Even in the crowded south, the ugliness is restricted to the main roads-so get off them and walking along the footpaths among the rice paddies, where you will find the duck shepherds taking their flocks to feed and splash. Bali is a shopper’s heaven if you are looking for bargain beach wear and casual clothes, souvenirs, or craftwork. Most of the crafts have been adapted to the tourist and export trades and are produced in vast quantities. Ancient skills have been applied to new subject with drastically debasing standard, and something quite fresh and inventive seems to appear each year. The workers are truly versatile, turning to new materials, designs, and techniques unknown to their parent’s generation. The painted tropical fish and birds, for example, weren’t made at all until 20 years ago; and the quilted bed covers are newer still. A lot of the proceeds of this booming trade are spent by the successful villages in staging extravagant and flamboyant ceremonies and beautifying their temples. Not all of Bali’s industry is a matter of wood carving and hand weaving—the chances are that the rugged jeep-type, Toyota’s, Suzuki’s vehicle you rent for a drive around the island was assembled in the factory near Denpasar (the capital of Bali). The height of ambition for the young Balinese is to buy a motorcycle, not least because it’s seen as essential for courtship –or a discreet affair—but also for employment outside their villages. You will notice that hotel staff car parks are a sea of motorbikes and scooters, and that how the dancers in the evening performance will most likely arrive, too, looking a little different, dressed in T-shirts and jeans. Ownership of a motorbike seems to act as a incentive to keep families small: a father, mother, and their two children can just about ride together, but more could be a problem. Despite this, there is no shortage of children yet, with neatly uniformed tribes of scholars trooping or cycling to school in shift starting at 6:30 A.M., and coming home again at all hours from 11: 30 A.M. to 2: 00 P.M. Everywhere you go you will hear cries of “ Hello, hello!, “ where are you from?” ‘’too many tourists!’’ some visitors grumble, while never leaving the tourist resorts. It is no good lamenting that Bali has become a holiday magnet. Take it for what it is. You will discover that any of its advantages still far outweigh the faults. Of all the tropical destinations where warm seas and sunshine attract holidaymakers from all corners of the world, this one as resilient and unique culture, as well as remarkable, adaptable people.

 My other Website www.baliblisstour.com

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